Latest Events in Chevreuse(March Updated)

Fruit of the Dead: Rachel Lyon in Conversation with Amanda Dennis Join us at the University of Kent Paris School of Arts and Culture for an evening with the Paris Writer in Residence, Rachel Lyon, to discuss Lyon’s captivating new novel, Fruit of the Dead, an electric contemporary reimagining of the myth of Persephone and Demeter set over the course of one summer on a lush private island, exploring who holds the power in a modern underworld. The conversation will range across the complexity of mother-daughter relations, love, control, and American's own late capitalist mythos. Fruit of the Dead has been called a spellbinding account of a young woman’s hunger for freedom, the sordid underbelly of big pharma, and the siren call of addiction (Leslie Jameson). The conversation will be followed by a reception and book sale.Rachel Lyon is author of the novel Self-Portrait with Boy, a meditation on how a private tragedy can become public art, which was a finalist for the Center for Fiction's 2018 First Novel Prize. Her 2024 novel Fruit of the Dead has been named most anticipated book of 2024 by outlets including Elle, Oprah Daily, and People magazine. Lyon is also the author of short works of fiction and non-fiction that have appeared recently in The Bennington Review, LitHub, One Story, and The Rumpus. In addition to her own writing, Lyon is a teacher of creative writing for institutions including, most recently, Bennington College, and is cofounder of the reading series Dream Away and Ditmas Lit. She lives with her husband and two young children in Western Massachusetts. Amanda Dennis is the author of the novel Her Here, and a book about Samuel Beckett and French philosophy: Beckett and Embodiment: Body, Space, Agency. Her writing has appeared in the Los Angeles Review of Books, the Times Literary Supplement, and Guernica. She teaches creative writing and comparative literature at the American University of Paris. This event is part of our Writer in Residence programme, a collabortation between the University of Kent Paris School of Arts and Culture (PSAC), the American University of Paris (AUP), and the Centre Culturel Irlandais (Irish Cultural Center). Information Source: eventbrite

This event will be held in English. Co-organized by the Columbia Global Paris Center and the Columbia Institute for Ideas and Imagination. To be notified of upcoming Paris Global Center events, we invite you to sign up for our twice monthly newsletter. — The sweeping story of the American stadium-from the first wooden ballparks to today's glass and steel mega-arenas-revealing how it has made, and remade, American life. Columbia Professor Frank Guridy presents his new book The Stadium, in conversation with Financial Times columnist Simon Kuper. In The Stadium, Frank Guridy recounts the contested history of play, protest, and politics in American stadiums. From the beginning, stadiums were political, as elites turned games into celebrations of war, banned women from the press box, and enforced racial segregation. By the 1920s, they also became important sites of protest as activists increasingly occupied the stadium floor to challenge racism, sexism, homophobia, fascism, and more. Following the rise of the corporatized stadium in the 1990s, this complex history was largely forgotten. But today's athlete-activists, like Colin Kaepernick and Megan Rapinoe, belong to a powerful tradition in which the stadium is as much an arena of protest as a palace of pleasure. Moving between the field, the press box, and the locker room, this book recovers the hidden history of the stadium and its important role in the struggle for justice in America. 1964-2024: Celebrating 60 Years of Columbia at Reid Hall 2024 marks the 60th anniversary of the gift of Reid Hall to Columbia University by Helen Rogers Reid. Today, the space houses the Columbia Global Paris Center, the Institute for Ideas and Imagination, the longstanding undergraduate programs, and Columbia’s M.A. in History and Literature program. Please join us as we celebrate this milestone. View the full anniversary program on our website. Speakers Frank Andre Guridy is the Dr. Kenneth and Kareitha Forde Professor of African American and African Diaspora Studies. He is also Professor of History and the Executive Director of the Eric H. Holder Initiative for Civil and Political Rights at Columbia. He is an award-winning historian whose recent research has focused on sport history, urban history, and the history of American social movements. His most recent book, The Stadium: An American History of Politics, Protest, and Play (Basic Books, 2024) tells the story of the American stadium as an institution that has played a central role in American civic and political life and in the struggles for social justice from the 19th century until the present. The book has been reviewed in the Washington Post, the LA Times, and the Wall Street Journal, and featured on NPR on Fresh Air. His previous book, The Sports Revolution: How Texas Changed the Culture of American Athletics (University of Texas Press, 2021) explored how Texas-based sports entrepreneurs and athletes from marginalized backgrounds transformed American sporting culture during the 1960s and 1970s, the highpoint of the Black Freedom and Second-Wave feminist movements. Guridy is also a leading scholar of the Black Freedom Movement in the United States and the Caribbean. His first book, Forging Diaspora: Afro-Cubans and African Americans in a World of Empire and Jim Crow (University of North Carolina Press, 2010), won the Elsa Goveia Book Prize from the Association of Caribbean Historians and the Wesley-Logan Book Prize, conferred by the American Historical Association. He is also the co-editor of Beyond el Barrio: Everyday Life in Latino/a America (NYU Press, 2010), with Gina Pérez and Adrian Burgos, Jr. His scholarly articles have appeared in Kalfou, Radical History Review, Caribbean Studies, Social Text, and Cuban Studies. Simon Kuper joined the Financial Times in 1994. He wrote the daily currencies column, before leaving the FT in 1998. He returned in 2002 as a sports columnist and has been there ever since. Nowadays he writes a general column for the Weekend FT on all manner of topics from politics to books, and on cities including London, Paris, Johannesburg and Miami. Organizer The Columbia Global Paris Center addresses pressing global issues that are at the forefront of international education and research: agency and gender; climate and the environment; critical dialogues for just societies; encounters in the arts; and health and medical science. The Paris Global Center is part of Columbia Global, which brings together major global initiatives from across the university including the Columbia Global Centers, Columbia World Projects, the Committee on Global Thought, the Institute for Ideas and Imagination, and Undergraduate Global Engagement. Venue Nestled in the Montparnasse district, Reid Hall hosts several Columbia University initiatives: the Columbia Global Paris Center, the Institute for Ideas and Imagination, the Columbia Undergraduate Programs, the M.A. in History and Literature, and the GSAPP Shape of Two Cities Program. This unique combination of resources is enhanced by our global network whose mission is to expand the University's engagement with the world through educational programs, research initiatives, regional partnerships, and public events. The views and opinions expressed by speakers and guests do not necessarily reflect the official policies or positions of the Columbia Global Paris Center or its affiliates. Information Source: Columbia Global Paris Center | eventbrite

This event will be held in English. Ukrainian Resonance is a chamber music concert series organized by the 1991 Project with the Columbia Global Paris Center and Institute for Ideas and Imagination. To be notified of upcoming Paris Global Center events, we invite you to sign up for our twice monthly newsletter. — The 1991 Project presents cello/piano duo Askar Ishangaliyev and Anna Khmara, with a program of works by Nadia Boulanger, Debussy, Silvestrov, and Viktor Kosenko Program Nadia Boulanger (1887–1979), Three Pieces for Cello and Piano, 1914 I. Modéré II. Sans vitesse et a l'aise III. Vite et nerveusement rythmé Viktor Kosenko (1896-1938), Sonata for Cello and Piano in D Minor, op. 10, 1923 I. Moderato II. Andante con motto III. Allegro con fuoco Valentyn Sylvestrov (b. 1937), Kitsch-Music, cycle of five pieces for piano, 1977 Claude Debussy (1862–1918), Sonata for Cello and Piano in D Minor, L 135, 1915 I. Prologue II. Sérénade III. Finale 1964-2024: Celebrating 60 Years of Columbia at Reid Hall 2024 marks the 60th anniversary of the gift of Reid Hall to Columbia University by Helen Rogers Reid. Today, the space houses the Columbia Global Paris Center, the Institute for Ideas and Imagination, the longstanding undergraduate programs, and Columbia’s M.A. in History and Literature program. Please join us as we celebrate this milestone. View the full anniversary program on our website. Ukrainian Resonance: Chamber Music Concerts at Reid Hall The 1991 Project presents a chamber music concert series featuring performances by Ukrainian musicians affected by war, as well as their renowned international colleagues, who are popularizing the Ukrainian repertoire. The series aims to promote Ukrainian music and highlight its deep connections to European cultural trends. As the 2023-24 project-in-residence at the Reid Hall Displaced Artists Initiative, the 1991 Project has organized six concerts, as well as co-organized events in partnership with Eastern Circles, the Arts Arena, the Zadkine Museum, and the Centre international Nadia et Lili Boulanger. This followed their inaugural series, the Silvestrov Days in Paris in spring 2023, which celebrated one of Ukraine’s greatest contemporary composers. This series is organized by the 1991 Project, the Columbia Global Paris Center, the Institute for Ideas and Imagination, with the support of the Ukrainian Embassy and Les Amis de la culture ukrainienne en France. Organizers The 1991 Project is a Paris-based initiative that aims to explore and popularize unknown or rarely performed repertoire and to support endangered talents. Its core principles are social entrepreneurship and feminist leadership. The project is led by Anna Stavychenko, a scholar in musicology, opera critic, and classical music curator, former executive director of the Kyiv Symphony Orchestra and Harriman Resident of the Institute for Ideas & Imagination from Columbia University during the season 2022-2023. The project’s main focus is the Ukrainian musical repertoire from classicism to the present day. The Columbia Global Paris Center addresses pressing global issues that are at the forefront of international education and research: agency and gender; climate and the environment; critical dialogues for just societies; encounters in the arts; and health and medical science. Each year the Institute for Ideas and Imagination brings together a cohort of 14-15 Fellows, half of them Columbia faculty and post-docs, the other half artists and writers from around the world, to spend a year together in work and conversation. The Institute fosters intellectual and creative diversity unconstrained by medium and discipline through the interaction of the arts and academia. The Paris Center and Institute are part of Columbia Global, which brings together major global initiatives from across the university to advance knowledge and foster global engagement. Those initiatives include the Columbia Global Centers, Columbia World Projects, the Committee on Global Thought, the Institute for Ideas and Imagination, and Undergraduate Global Engagement. Venue Nestled in the Montparnasse district, Reid Hall hosts several Columbia University initiatives: the Columbia Global Paris Center, the Institute for Ideas and Imagination, the Columbia Undergraduate Programs, the M.A. in History and Literature, and the GSAPP Shape of Two Cities Program. This unique combination of resources is enhanced by our global network whose mission is to expand the University's engagement with the world through educational programs, research initiatives, regional partnerships, and public events. This event will take place in Reid Hall’s Grande Salle Ginsberg-LeClerc, built in 1912 and extensively renovated in 2023 thanks to the generous support of Judith Ginsberg and Paul LeClerc. The views and opinions expressed by speakers and guests do not necessarily reflect the official policies or positions of the Columbia Global Paris Center or its affiliates. Information Source: Columbia Global Paris Center | eventbrite

This event will be held in English. Ukrainian Resonance is a chamber music concert series organized by the 1991 Project with the Columbia Global Paris Center and Institute for Ideas and Imagination. To be notified of upcoming Paris Global Center events, we invite you to sign up for our twice monthly newsletter. — The 1991 Project presents cello/piano duo Askar Ishangaliyev and Anna Khmara, with a program of works by Nadia Boulanger, Debussy, Silvestrov, and Viktor Kosenko Program Nadia Boulanger (1887–1979), Three Pieces for Cello and Piano, 1914 I. Modéré II. Sans vitesse et a l'aise III. Vite et nerveusement rythmé Viktor Kosenko (1896-1938), Sonata for Cello and Piano in D Minor, op. 10, 1923 I. Moderato II. Andante con motto III. Allegro con fuoco Valentyn Sylvestrov (b. 1937), Kitsch-Music, cycle of five pieces for piano, 1977 Claude Debussy (1862–1918), Sonata for Cello and Piano in D Minor, L 135, 1915 I. Prologue II. Sérénade III. Finale 1964-2024: Celebrating 60 Years of Columbia at Reid Hall 2024 marks the 60th anniversary of the gift of Reid Hall to Columbia University by Helen Rogers Reid. Today, the space houses the Columbia Global Paris Center, the Institute for Ideas and Imagination, the longstanding undergraduate programs, and Columbia’s M.A. in History and Literature program. Please join us as we celebrate this milestone. View the full anniversary program on our website. Ukrainian Resonance: Chamber Music Concerts at Reid Hall The 1991 Project presents a chamber music concert series featuring performances by Ukrainian musicians affected by war, as well as their renowned international colleagues, who are popularizing the Ukrainian repertoire. The series aims to promote Ukrainian music and highlight its deep connections to European cultural trends. As the 2023-24 project-in-residence at the Reid Hall Displaced Artists Initiative, the 1991 Project has organized six concerts, as well as co-organized events in partnership with Eastern Circles, the Arts Arena, the Zadkine Museum, and the Centre international Nadia et Lili Boulanger. This followed their inaugural series, the Silvestrov Days in Paris in spring 2023, which celebrated one of Ukraine’s greatest contemporary composers. This series is organized by the 1991 Project, the Columbia Global Paris Center, the Institute for Ideas and Imagination, with the support of the Ukrainian Embassy and Les Amis de la culture ukrainienne en France. Organizers The 1991 Project is a Paris-based initiative that aims to explore and popularize unknown or rarely performed repertoire and to support endangered talents. Its core principles are social entrepreneurship and feminist leadership. The project is led by Anna Stavychenko, a scholar in musicology, opera critic, and classical music curator, former executive director of the Kyiv Symphony Orchestra and Harriman Resident of the Institute for Ideas & Imagination from Columbia University during the season 2022-2023. The project’s main focus is the Ukrainian musical repertoire from classicism to the present day. The Columbia Global Paris Center addresses pressing global issues that are at the forefront of international education and research: agency and gender; climate and the environment; critical dialogues for just societies; encounters in the arts; and health and medical science. Each year the Institute for Ideas and Imagination brings together a cohort of 14-15 Fellows, half of them Columbia faculty and post-docs, the other half artists and writers from around the world, to spend a year together in work and conversation. The Institute fosters intellectual and creative diversity unconstrained by medium and discipline through the interaction of the arts and academia. The Paris Center and Institute are part of Columbia Global, which brings together major global initiatives from across the university to advance knowledge and foster global engagement. Those initiatives include the Columbia Global Centers, Columbia World Projects, the Committee on Global Thought, the Institute for Ideas and Imagination, and Undergraduate Global Engagement. Venue Nestled in the Montparnasse district, Reid Hall hosts several Columbia University initiatives: the Columbia Global Paris Center, the Institute for Ideas and Imagination, the Columbia Undergraduate Programs, the M.A. in History and Literature, and the GSAPP Shape of Two Cities Program. This unique combination of resources is enhanced by our global network whose mission is to expand the University's engagement with the world through educational programs, research initiatives, regional partnerships, and public events. This event will take place in Reid Hall’s Grande Salle Ginsberg-LeClerc, built in 1912 and extensively renovated in 2023 thanks to the generous support of Judith Ginsberg and Paul LeClerc. The views and opinions expressed by speakers and guests do not necessarily reflect the official policies or positions of the Columbia Global Paris Center or its affiliates. Information Source: Columbia Global Paris Center | eventbrite

Please join us for a welcome reception at 6 p.m. before the start of the event. — This event will be held in English. Co-sponsored by the Columbia Global Paris Center and the Terra Foundation for American Art, and curated by The Californien Agency. To be notified of upcoming Paris Global Center events, we invite you to sign up for our twice monthly newsletter. — “THE TOTALITY OF OUR GOOD LIFE” is a visual conversation about Haitian culture and its influence on the gens de couleur libres of Louisiana, a forgotten people of the 18th and 19th centuries. Fabiola Jean-Louis and Andrew LaMar Hopkins are two distinguished artists whose works delve into the complex and interwoven narratives of Caribbean, Haitian and free people of color in 18th- and 19th-century Louisiana. This discussion, moderated by Claire Tancons, will explore the nuanced realities of a community that navigated an “in-between” status in a racially obsessed society. Andrew LaMar Hopkins captures the “good life” that members of this community presented to the outside world, showcasing their elegance and cultural richness. In contrast, Fabiola Jean-Louis delves into the physical and emotional scars endured by many during this period, particularly Black women, as they strove to achieve and maintain their precarious status. The talk will also highlight the influence of Haitian culture, the agency of women, and the significance of respectability in dress and etiquette. Through their combined bodies of work, Jean-Louis and Hopkins present a comprehensive narrative that encapsulates both the triumphs and tribulations of this community, ultimately representing “THE TOTALITY OF OUR GOOD LIFE.” 1964-2024: Celebrating 60 Years of Columbia at Reid Hall 2024 marks the 60th anniversary of the gift of Reid Hall to Columbia University by Helen Rogers Reid. Today, the space houses the Columbia Global Paris Center, the Institute for Ideas and Imagination, the longstanding undergraduate programs, and Columbia’s M.A. in History and Literature program. Please join us as we celebrate this milestone. View the full anniversary program on our website. Speakers Fabiola Jean-Louis was born in Port Au Prince, Haiti, on September 10th, 1978, and moved to Brooklyn, NY, at a young age, where she began to immerse herself in a new and diverse cultural landscape. While attending the High School of Fashion Industries, her passion for the arts flourished, leading her to explore various creative outlets. It wasn't until much later, in November 2013, that Fabiola discovered her talent for photography during a significant journey of artistic rediscovery. Initially, she began taking self-portraits as a matter of convenience, driven by her shyness and her keen understanding of how to effectively convey the intricate stories she wanted to tell using her own body as a canvas. As time progressed, her work grew to encompass not only other subjects and models but also elaborate costumes and intricate sculptures made entirely out of paper. Today, her artistic practice is focused on continuous experimentation through the innovative use of different techniques, diverse disciplines, and even a variety of art styles, allowing her to push the boundaries of her creativity. While her images have often been described as magical, moody, and mysterious, Fabiola's artistic work may be most accurately encapsulated as Afro Surrealism. In her creations, she skillfully combines the bizarre yet undeniably beautiful dualities that characterize Haitian culture. She artfully distorts reality in order to reveal the profound power associated with spirit, and she is expansive in her exploration of the complexities of Blackness. Furthermore, her work serves as a thoughtful critique of the societal structures that are imposed upon Black lives, encouraging viewers to reflect on these important issues. Andrew LaMar Hopkins (b. 1977 in Mobile, AL) paints meticulous, lush, minute depictions of 19th-century interior scenes and architectural set pieces based on the histories of free Creole people in New Orleans, the city he has called home for over a decade. Growing up in Alabama, Hopkins was particularly fixated on the Southern Creole culture to which his family is linked, and which the Civil War largely erased; Hopkins can trace his lineage to a major Creole family, descended from Nicolas Baudin, a Frenchman who received a Louisiana land grant in 1710. Drawing from this history and his expertise as an antiquarian, Hopkins carefully researches the architecture, material culture, and daily life of Creole populations in Southern cities circa 1830. Hopkins’ more recent works are set in Savannah, Georgia, where he currently divides his time between Savannah and his beloved New Orleans. The self-taught Hopkins’ pictorial compositions visually recall the paintings of Clementine Hunter, Grandma Moses, and Horace Pippin. Rendering interiors and exteriors with exquisite detail, and depicting both free Creoles of color and white Creoles, Hopkins deconstructs and reimagines an idealized antebellum history of Southern port cities—often injecting overtly homosocial scenarios or obvert references to queer culture, that excavate the often repressed histories of LGBTQ people in the antebellum south. Likewise, these queer characters echo Hopkins own biography and his parallel practice as a drag queen: his alter ego, Désirée Joséphine Duplantier, is a retro grande dame from New Orleans. Claire Tancons (moderator) is a curator and scholar focused on postcolonial politics in art production and exhibition. Over the past decade, she has carved a unique path in performance curation, integrating African diasporic aesthetics and challenging traditional methodologies. Tancons recently co-curated the Sharjah Biennial 14 and has worked on prominent international biennials such as the Göteborg Biennial and the Cape Town Biennial. She organized the first solo exhibitions for artists Robin Rhode and Ralph Lemon in New York and has directed large-scale public performances in iconic locations worldwide. Highlights of her curatorial work include En Mas’: Carnival and Performance Art of the Caribbean and Tide by Side for Faena Art. She frequently speaks at international art forums and has published writings in various academic journals and exhibition catalogs. Through her production company, Extemporary, she directed the documentary Minshall: Mas of the Millennium and is currently working on a film about her father, Guadeloupean intellectual Gauthier Tancons. Tancons has received numerous awards, including a Creative Capital | Andy Warhol Foundation Arts Writers Grant in 2018. She holds an MA in Museum Studies from École du Louvre and an MA in Art History from the Courtauld Institute of Art, London. Originally from Guadeloupe, she lives in diaspora and works in situ. Organizers The Columbia Global Paris Centeraddresses pressing global issues that are at the forefront of international education and research: agency and gender; climate and the environment; critical dialogues for just societies; encounters in the arts; and health and medical science. The Paris Global Center is part of Columbia Global, which brings together major global initiatives from across the university including the Columbia Global Centers, Columbia World Projects, the Committee on Global Thought, the Institute for Ideas and Imagination, and Undergraduate Global Engagement. Curation and cultural production provided by The Californien Agency. Founded by Patrick Banks, The Californien Agency is a consultancy specializing in advising and collaborating with artists, creatives, and entrepreneurs in the areas of strategy, cultural production, and business development. Before relocating to Paris, Patrick had a successful career as an attorney in New Orleans. Subsequently, he worked for 15 years as a real estate development executive, contributing to transformative projects in San Francisco. Patrick's diverse professional background and passion for the arts drive his commitment to empowering and elevating the creative community through The Californien. In partnership with organizations and individuals locally and globally, the Terra Foundation for American Art fosters intercultural dialogues and encourages transformative practices to expand narratives of American art. Venue Nestled in the Montparnasse district, Reid Hall hosts several Columbia University initiatives: the Columbia Global Paris Center, the Institute for Ideas and Imagination, the Columbia Undergraduate Programs, the M.A. in History and Literature, and the GSAPP Shape of Two Cities Program. This unique combination of resources is enhanced by our global network whose mission is to expand the University's engagement with the world through educational programs, research initiatives, regional partnerships, and public events. This event will take place in Reid Hall’s Grande Salle Ginsberg-LeClerc, built in 1912 and extensively renovated in 2023 thanks to the generous support of Judith Ginsberg and Paul LeClerc. The views and opinions expressed by speakers and guests do not necessarily reflect the official policies or positions of the Columbia Global Paris Center or its affiliates. Information Source: Columbia Global Paris Center | eventbrite

Please join us for a welcome reception at 6 p.m. before the start of the event. — This event will be held in English. Co-sponsored by the Columbia Global Paris Center and the Terra Foundation for American Art, and curated by The Californien Agency. To be notified of upcoming Paris Global Center events, we invite you to sign up for our twice monthly newsletter. — “THE TOTALITY OF OUR GOOD LIFE” is a visual conversation about Haitian culture and its influence on the gens de couleur libres of Louisiana, a forgotten people of the 18th and 19th centuries. Fabiola Jean-Louis and Andrew LaMar Hopkins are two distinguished artists whose works delve into the complex and interwoven narratives of Caribbean, Haitian and free people of color in 18th- and 19th-century Louisiana. This discussion, moderated by Claire Tancons, will explore the nuanced realities of a community that navigated an “in-between” status in a racially obsessed society. Andrew LaMar Hopkins captures the “good life” that members of this community presented to the outside world, showcasing their elegance and cultural richness. In contrast, Fabiola Jean-Louis delves into the physical and emotional scars endured by many during this period, particularly Black women, as they strove to achieve and maintain their precarious status. The talk will also highlight the influence of Haitian culture, the agency of women, and the significance of respectability in dress and etiquette. Through their combined bodies of work, Jean-Louis and Hopkins present a comprehensive narrative that encapsulates both the triumphs and tribulations of this community, ultimately representing “THE TOTALITY OF OUR GOOD LIFE.” 1964-2024: Celebrating 60 Years of Columbia at Reid Hall 2024 marks the 60th anniversary of the gift of Reid Hall to Columbia University by Helen Rogers Reid. Today, the space houses the Columbia Global Paris Center, the Institute for Ideas and Imagination, the longstanding undergraduate programs, and Columbia’s M.A. in History and Literature program. Please join us as we celebrate this milestone. View the full anniversary program on our website. Speakers Fabiola Jean-Louis was born in Port Au Prince, Haiti, on September 10th, 1978, and moved to Brooklyn, NY, at a young age, where she began to immerse herself in a new and diverse cultural landscape. While attending the High School of Fashion Industries, her passion for the arts flourished, leading her to explore various creative outlets. It wasn't until much later, in November 2013, that Fabiola discovered her talent for photography during a significant journey of artistic rediscovery. Initially, she began taking self-portraits as a matter of convenience, driven by her shyness and her keen understanding of how to effectively convey the intricate stories she wanted to tell using her own body as a canvas. As time progressed, her work grew to encompass not only other subjects and models but also elaborate costumes and intricate sculptures made entirely out of paper. Today, her artistic practice is focused on continuous experimentation through the innovative use of different techniques, diverse disciplines, and even a variety of art styles, allowing her to push the boundaries of her creativity. While her images have often been described as magical, moody, and mysterious, Fabiola's artistic work may be most accurately encapsulated as Afro Surrealism. In her creations, she skillfully combines the bizarre yet undeniably beautiful dualities that characterize Haitian culture. She artfully distorts reality in order to reveal the profound power associated with spirit, and she is expansive in her exploration of the complexities of Blackness. Furthermore, her work serves as a thoughtful critique of the societal structures that are imposed upon Black lives, encouraging viewers to reflect on these important issues. Andrew LaMar Hopkins (b. 1977 in Mobile, AL) paints meticulous, lush, minute depictions of 19th-century interior scenes and architectural set pieces based on the histories of free Creole people in New Orleans, the city he has called home for over a decade. Growing up in Alabama, Hopkins was particularly fixated on the Southern Creole culture to which his family is linked, and which the Civil War largely erased; Hopkins can trace his lineage to a major Creole family, descended from Nicolas Baudin, a Frenchman who received a Louisiana land grant in 1710. Drawing from this history and his expertise as an antiquarian, Hopkins carefully researches the architecture, material culture, and daily life of Creole populations in Southern cities circa 1830. Hopkins’ more recent works are set in Savannah, Georgia, where he currently divides his time between Savannah and his beloved New Orleans. The self-taught Hopkins’ pictorial compositions visually recall the paintings of Clementine Hunter, Grandma Moses, and Horace Pippin. Rendering interiors and exteriors with exquisite detail, and depicting both free Creoles of color and white Creoles, Hopkins deconstructs and reimagines an idealized antebellum history of Southern port cities—often injecting overtly homosocial scenarios or obvert references to queer culture, that excavate the often repressed histories of LGBTQ people in the antebellum south. Likewise, these queer characters echo Hopkins own biography and his parallel practice as a drag queen: his alter ego, Désirée Joséphine Duplantier, is a retro grande dame from New Orleans. Claire Tancons (moderator) is a curator and scholar focused on postcolonial politics in art production and exhibition. Over the past decade, she has carved a unique path in performance curation, integrating African diasporic aesthetics and challenging traditional methodologies. Tancons recently co-curated the Sharjah Biennial 14 and has worked on prominent international biennials such as the Göteborg Biennial and the Cape Town Biennial. She organized the first solo exhibitions for artists Robin Rhode and Ralph Lemon in New York and has directed large-scale public performances in iconic locations worldwide. Highlights of her curatorial work include En Mas’: Carnival and Performance Art of the Caribbean and Tide by Side for Faena Art. She frequently speaks at international art forums and has published writings in various academic journals and exhibition catalogs. Through her production company, Extemporary, she directed the documentary Minshall: Mas of the Millennium and is currently working on a film about her father, Guadeloupean intellectual Gauthier Tancons. Tancons has received numerous awards, including a Creative Capital | Andy Warhol Foundation Arts Writers Grant in 2018. She holds an MA in Museum Studies from École du Louvre and an MA in Art History from the Courtauld Institute of Art, London. Originally from Guadeloupe, she lives in diaspora and works in situ. Organizers The Columbia Global Paris Centeraddresses pressing global issues that are at the forefront of international education and research: agency and gender; climate and the environment; critical dialogues for just societies; encounters in the arts; and health and medical science. The Paris Global Center is part of Columbia Global, which brings together major global initiatives from across the university including the Columbia Global Centers, Columbia World Projects, the Committee on Global Thought, the Institute for Ideas and Imagination, and Undergraduate Global Engagement. Curation and cultural production provided by The Californien Agency. Founded by Patrick Banks, The Californien Agency is a consultancy specializing in advising and collaborating with artists, creatives, and entrepreneurs in the areas of strategy, cultural production, and business development. Before relocating to Paris, Patrick had a successful career as an attorney in New Orleans. Subsequently, he worked for 15 years as a real estate development executive, contributing to transformative projects in San Francisco. Patrick's diverse professional background and passion for the arts drive his commitment to empowering and elevating the creative community through The Californien. In partnership with organizations and individuals locally and globally, the Terra Foundation for American Art fosters intercultural dialogues and encourages transformative practices to expand narratives of American art. Venue Nestled in the Montparnasse district, Reid Hall hosts several Columbia University initiatives: the Columbia Global Paris Center, the Institute for Ideas and Imagination, the Columbia Undergraduate Programs, the M.A. in History and Literature, and the GSAPP Shape of Two Cities Program. This unique combination of resources is enhanced by our global network whose mission is to expand the University's engagement with the world through educational programs, research initiatives, regional partnerships, and public events. This event will take place in Reid Hall’s Grande Salle Ginsberg-LeClerc, built in 1912 and extensively renovated in 2023 thanks to the generous support of Judith Ginsberg and Paul LeClerc. The views and opinions expressed by speakers and guests do not necessarily reflect the official policies or positions of the Columbia Global Paris Center or its affiliates. Information Source: Columbia Global Paris Center | eventbrite

Autour de DJ Mehdi, Made in France Join us for a Hip Hop celebration of the iconic French DJ Mehdi at Reid Hall. Get ready to immerse yourself in the French Hip Hop scene of the late 1990s and early 2000s. This in-person event promises to be a day full of great art, good vibes, and unforgettable memories. Don't miss out on this unique opportunity with Thibaut de Longeville, Mokobé, Tcho, Rocé, Juliette Fievet, and Max-Laure Bourjolly. 13h-15h30: projection des épisodes 1 à 4 du documentaire DJ Mehdi Made in France (2024)de Thibaud de Longeville. 15h30-18h: rencontre et discussion avec les invité.es. Information Source: Les Encres de l'Atlantique | eventbrite

Cet événement aura lieu en français. Co-organisé par le Columbia Global Paris Center et ProQuartet. Nous vous invitons à vous abonner à notre newsletter bimensuelle pour être notifié des futurs événements du Paris Global Center. — À l'invitation du Columbia Global Paris Center et de ProQuartet, le Trio Concept interprétera des chefs-d'œuvre du répertoire pour piano, violon et violoncelle, de Felix Mendelssohn, Mel Bonis et Maurice Ravel. Ce programme offrira un voyage musical captivant entre romantisme et modernité, porté par l'un des ensembles les plus prometteurs de la scène internationale. Vous êtes cordialement invités à nous rejoindre pour une réception après le concert. Programme Felix Mendelssohn, Trio pour piano, violon et violoncelle n°1 en ré mineur, op. 49 (1839) Mel Bonis, Suite Orientale - I. Prélude (1900) Maurice Ravel, Trio pour piano en la mineur (1914) Trio Concept Le Trio Concept a récemment remporté le Premier Prix au Concours International de Cordes Schoenfeld à Harbin, en Chine, et a été désigné ECHO Rising Star pour la saison 2025/2026. L'ensemble s'est également vu décerner le 'Prix Yves Paternot' lors de la 31e édition du Festival de Verbier. En 2023, après des auditions au Wigmore Hall de Londres, ils ont été sélectionnés comme artistes YCAT, une première pour un ensemble italien. En Italie, le Trio s'est fait remarquer en décrochant le Deuxième Prix au Premio Trio di Trieste, où ils ont aussi reçu plusieurs prix spéciaux. Avec une moyenne d'âge de 20 ans, ils sont le plus jeune groupe de musique de chambre à avoir été récompensé dans l'histoire du concours. Récemment, ils ont fait leurs débuts avec le Triple Concerto de Beethoven à Taïwan. Le Trio Concept s'est distingué par plusieurs autres succès, notamment en remportant le premier prix au concours Amadeus Factory et le prix Giovanna Maniezzo de l'Accademia Musicale di Siena. Ils ont également été nommés ensemble en résidence pour des programmes prestigieux comme le ProQuartet à Paris et le Comitato Amur. Fondé en 2013 au Conservatoire de Turin, le Trio se produit à travers l'Europe, l'Asie et au-delà. Reconnu pour ses interprétations raffinées et son engagement envers le répertoire contemporain, le Trio Concept mène aussi une importante action de sensibilisation, partageant sa passion pour la musique avec les jeunes générations. Ils ont animé des masterclasses au Royal Birmingham Conservatoire et au Lyceum Mozarteum à La Havane. Formé à l'origine en 2013 sous le nom de Trio Chagall, le trio a décidé de changer de nom en octobre 2024. Cette décision découle du souhait de mieux représenter son parcours artistique, centré autour de l'idée du trio comme cœur de son activité musicale, créant ainsi un « concept » de trio fort et cohérent. Organisateurs Depuis 35 ans, le Centre Européen de Musique de Chambre - ProQuartet contribue au rayonnement du quatuor à cordes, au soutien de l’ensemble de la communauté de la musique de chambre et à l’élargissement des publics qui s’y intéressent. Le Columbia Global Paris Center, établi à Reid Hall en 2010, est l'un des dix centres de l'Université Columbia répartis dans le monde. Il vise à favoriser la recherche, l'enseignement et la collaboration transnationale. À travers sa programmation scientifique et culturelle, son podcast Atelier, et son engagement associatif, il renforce les liens de l'Université Columbia en France et à l’international tout en offrant une plateforme pour l'exploration intellectuelle d’enjeux sociaux et environnementaux dans les arts, les humanités et les sciences sociales. Le Paris Global Center fait partie de Columbia Global, qui rassemble les initiatives de l'université Columbia pour avancer son engagement dans le monde, dont Columbia Global Centers, Columbia World Projects, le Committee on Global Thought et l’Institute for Ideas and Imagination et Undergraduate Global Engagement. Le lieu Au cœur du quartier de Montparnasse, Reid Hall accueille plusieurs initiatives de l'Université Columbia : le Columbia Global Paris Center, l’Institute for Ideas and Imagination, Columbia Undergraduate Programs, M.A. in History and Literature, et le GSAPP Shape of Two Cities Program. Cette combinaison unique de ressources est renforcée par notre réseau global dont la mission est d'étendre l'engagement de l'université dans le monde par le biais de programmes éducatifs, d'initiatives de recherche, de partenariats régionaux et d'événements publics.Cette association de programmes liés à l’éducation, la recherche, la programmation publique accompagnés de partenariats régionaux font de Reid Hall un lieu tout à fait unique. Cet événement aura lieu à Reid Hall dans la Grande Salle Ginsberg-LeClerc, construite en 1912 et entièrement rénovée en 2023 grâce au généreux soutien de Judith Ginsberg et Paul LeClerc. Les points de vue exprimés par les intervenants ne représentent pas nécessairement la position officielle du Columbia Global Paris Center ou ses filiales. Information Source: Columbia Global Paris Center | eventbrite

Cet événement aura lieu en français. Co-organisé par le Columbia Global Paris Center et ProQuartet. Nous vous invitons à vous abonner à notre newsletter bimensuelle pour être notifié des futurs événements du Paris Global Center. — À l'invitation du Columbia Global Paris Center et de ProQuartet, le Trio Concept interprétera des chefs-d'œuvre du répertoire pour piano, violon et violoncelle, de Felix Mendelssohn, Mel Bonis et Maurice Ravel. Ce programme offrira un voyage musical captivant entre romantisme et modernité, porté par l'un des ensembles les plus prometteurs de la scène internationale. Vous êtes cordialement invités à nous rejoindre pour une réception après le concert. Programme Felix Mendelssohn, Trio pour piano, violon et violoncelle n°1 en ré mineur, op. 49 (1839) Mel Bonis, Suite Orientale - I. Prélude (1900) Maurice Ravel, Trio pour piano en la mineur (1914) Trio Concept Le Trio Concept a récemment remporté le Premier Prix au Concours International de Cordes Schoenfeld à Harbin, en Chine, et a été désigné ECHO Rising Star pour la saison 2025/2026. L'ensemble s'est également vu décerner le 'Prix Yves Paternot' lors de la 31e édition du Festival de Verbier. En 2023, après des auditions au Wigmore Hall de Londres, ils ont été sélectionnés comme artistes YCAT, une première pour un ensemble italien. En Italie, le Trio s'est fait remarquer en décrochant le Deuxième Prix au Premio Trio di Trieste, où ils ont aussi reçu plusieurs prix spéciaux. Avec une moyenne d'âge de 20 ans, ils sont le plus jeune groupe de musique de chambre à avoir été récompensé dans l'histoire du concours. Récemment, ils ont fait leurs débuts avec le Triple Concerto de Beethoven à Taïwan. Le Trio Concept s'est distingué par plusieurs autres succès, notamment en remportant le premier prix au concours Amadeus Factory et le prix Giovanna Maniezzo de l'Accademia Musicale di Siena. Ils ont également été nommés ensemble en résidence pour des programmes prestigieux comme le ProQuartet à Paris et le Comitato Amur. Fondé en 2013 au Conservatoire de Turin, le Trio se produit à travers l'Europe, l'Asie et au-delà. Reconnu pour ses interprétations raffinées et son engagement envers le répertoire contemporain, le Trio Concept mène aussi une importante action de sensibilisation, partageant sa passion pour la musique avec les jeunes générations. Ils ont animé des masterclasses au Royal Birmingham Conservatoire et au Lyceum Mozarteum à La Havane. Formé à l'origine en 2013 sous le nom de Trio Chagall, le trio a décidé de changer de nom en octobre 2024. Cette décision découle du souhait de mieux représenter son parcours artistique, centré autour de l'idée du trio comme cœur de son activité musicale, créant ainsi un « concept » de trio fort et cohérent. Organisateurs Depuis 35 ans, le Centre Européen de Musique de Chambre - ProQuartet contribue au rayonnement du quatuor à cordes, au soutien de l’ensemble de la communauté de la musique de chambre et à l’élargissement des publics qui s’y intéressent. Le Columbia Global Paris Center, établi à Reid Hall en 2010, est l'un des dix centres de l'Université Columbia répartis dans le monde. Il vise à favoriser la recherche, l'enseignement et la collaboration transnationale. À travers sa programmation scientifique et culturelle, son podcast Atelier, et son engagement associatif, il renforce les liens de l'Université Columbia en France et à l’international tout en offrant une plateforme pour l'exploration intellectuelle d’enjeux sociaux et environnementaux dans les arts, les humanités et les sciences sociales. Le Paris Global Center fait partie de Columbia Global, qui rassemble les initiatives de l'université Columbia pour avancer son engagement dans le monde, dont Columbia Global Centers, Columbia World Projects, le Committee on Global Thought et l’Institute for Ideas and Imagination et Undergraduate Global Engagement. Le lieu Au cœur du quartier de Montparnasse, Reid Hall accueille plusieurs initiatives de l'Université Columbia : le Columbia Global Paris Center, l’Institute for Ideas and Imagination, Columbia Undergraduate Programs, M.A. in History and Literature, et le GSAPP Shape of Two Cities Program. Cette combinaison unique de ressources est renforcée par notre réseau global dont la mission est d'étendre l'engagement de l'université dans le monde par le biais de programmes éducatifs, d'initiatives de recherche, de partenariats régionaux et d'événements publics.Cette association de programmes liés à l’éducation, la recherche, la programmation publique accompagnés de partenariats régionaux font de Reid Hall un lieu tout à fait unique. Cet événement aura lieu à Reid Hall dans la Grande Salle Ginsberg-LeClerc, construite en 1912 et entièrement rénovée en 2023 grâce au généreux soutien de Judith Ginsberg et Paul LeClerc. Les points de vue exprimés par les intervenants ne représentent pas nécessairement la position officielle du Columbia Global Paris Center ou ses filiales. Information Source: Columbia Global Paris Center | eventbrite

To be notified of upcoming Paris Center events, we invite you to sign up for our twice monthly newsletter. This series is organized by the 1991 Project with the Columbia Global Paris Center and Institute for Ideas and Imagination. — This concert presents a multidisciplinary project initiated during the Cité des Arts residency in Paris by flutist Iryna Gorkun-Silén and visual artist Aino Koski in 2017. The vibrant cultural life of Paris served as a profound source of inspiration for the artists, motivating them to create a project exploring connections between music and visual art. Program Claude Debussy (1862–1918), Syrinx for flute solo Georg Philipp Telemann (1681–1767), Fantasie Nr.2 for flute solo Grave–Vivace–Adagio–Allegro Lesia Dychko (b.1939), Partita for flute solo Intrada–Rondo–Dialogue–Variations–Monolog Viktor Kaminsky (b.1953), Urlicht - Irrlicht for the flute of solo Elisar Riddelin: Siimurg, for flute, electronics, visual artist, and poems by Anja Vammelvuo and Victor Hugo (2021) (French premier) Siimurg: An Interdisciplinary Project for Flute and Visual Art The interaction and interrelationship between music and visual art have been areas of active exploration for centuries. These two art forms have been deeply intertwined, often through meaningful friendships and collaborations among musicians, visual artists, and writers, who have inspired one another across generations. One of the most notable periods of such cross-pollination occurred in Paris during the late nineteenth and early twentieth centuries. During this time, artists from diverse disciplines converged, shaping modernist expression and revolutionizing both the visual and musical arts. Aino Koski and Iryna Gorkun-Silén have performed numerous concerts together in Finland. As part of her doctoral studies, Iryna commissioned the work Siimurg from composer Elisar Riddelin. Their collaborative exploration of music and live visual art has opened new avenues for examining the interactions between these mediums. The piece being premiered tonight is the culmination of their ongoing collaboration and represents a significant milestone in their artistic journey. To the best of our knowledge, this is likely the first work ever written specifically for flute and live visual art. Elisar Riddelin describes Siimurg as a piece that does not attempt to explain or resolve the themes of loss and grief presented in the included poems by Anja Vammelvuo and Victor Hugo. Instead, the composition invites the audience to reflect on the process of sorrow, suggesting that while there may be no definitive answers, the passage of time can lead to understanding and acceptance. Performers Aino Koski is a freelance scenographer and visual artist based in Helsinki. She works with various dance groups and theatres, designing site specific performances, contemporary dance pieces, musicals and traditional theatre plays. Aino Koski has graduated from The University of Art and design Helsinki in 2012. She has also studied in Weissensee Kunsthochschule Berlin, and participated in workshops e.g. in Paris, Istanbul and Copenhagen. www.ainokoski.com The Ukrainian-born flutist Iryna Gorkun-Silén has performed as a soloist, in chamber music ensembles, and with orchestras in Europe, the USA, and South Korea. Iryna holds two master's degrees: a Master of Arts in Performance and a Master of Arts in Pedagogy from the Zürcher Hochschule der Künste in Zurich, where she studied with Prof. Philippe Racine. She about to complete her doctoral studies at the Sibelius Academy, DocMus. Iryna has actively participated in numerous masterclasses with prominent flutists and conductors. Iryna has won prizes at international flute competitions in France, Ukraine, Italy, and Switzerland. Since 2023, Iryna has been working as a cultural producer for the Ukrainian Association in Finland. Sebastian Silén is a Finnish violinist and artistic researcher. He is a doctoral researcher at the University of the Arts, Sibelius Academy in Helsinki where he explores Jean Sibelius’s works for violin and piano from a Nordic perspective. Silén also performs actively as soloist, chamber- and orchestral musician and his debut CD which contains works by Pacius, Kajanus and Sibelius was published in 2021. Ukrainian Resonance: Chamber Music Concerts at Reid Hall The 1991 Project presents a chamber music concert series featuring performances by Ukrainian musicians affected by war, as well as their renowned international colleagues, who are popularizing the Ukrainian repertoire. The series aims to promote Ukrainian music and highlight its deep connections to European cultural trends. As the 2023-24 project-in-residence at the Reid Hall Displaced Artists Initiative, the 1991 Project has organized six concerts, as well as co-organized events in partnership with Eastern Circles, the Arts Arena, the Zadkine Museum, and the Centre international Nadia et Lili Boulanger. This followed their inaugural series, the Silvestrov Days in Paris in spring 2023, which celebrated one of Ukraine’s greatest contemporary composers. This series is organized by the 1991 Project, the Columbia Global Paris Center, the Institute for Ideas and Imagination. Organizers The 1991 Project is a Paris-based initiative that aims to explore and popularize unknown or rarely performed repertoire and to support endangered talents. Its core principles are social entrepreneurship and feminist leadership. The project is led by Anna Stavychenko, a scholar in musicology, opera critic, and classical music curator, former executive director of the Kyiv Symphony Orchestra and Harriman Resident of the Institute for Ideas & Imagination from Columbia University during the season 2022-2023. The project’s main focus is the Ukrainian musical repertoire from classicism to the present day. The Columbia Global Paris Center addresses pressing global issues that are at the forefront of international education and research: agency and gender; climate and the environment; critical dialogues for just societies; encounters in the arts; and health and medical science. Each year the Institute for Ideas and Imagination brings together a cohort of 14-15 Fellows, half of them Columbia faculty and post-docs, the other half artists and writers from around the world, to spend a year together in work and conversation. The Institute fosters intellectual and creative diversity unconstrained by medium and discipline through the interaction of the arts and academia. The Paris Center and Institute are part of Columbia Global, which brings together major global initiatives from across the university to advance knowledge and foster global engagement. Those initiatives include the Columbia Global Centers, Columbia World Projects, the Committee on Global Thought, the Institute for Ideas and Imagination, and Undergraduate Global Engagement. Venue Nestled in the Montparnasse district, Reid Hall hosts several Columbia University initiatives: the Columbia Global Paris Center, the Institute for Ideas and Imagination, the Columbia Undergraduate Programs, the M.A. in History and Literature, and the GSAPP Shape of Two Cities Program. This unique combination of resources is enhanced by our global network whose mission is to expand the University's engagement with the world through educational programs, research initiatives, regional partnerships, and public events. This event will take place in Reid Hall’s Grande Salle Ginsberg-LeClerc, built in 1912 and extensively renovated in 2023 thanks to the generous support of Judith Ginsberg and Paul LeClerc. The views and opinions expressed by speakers and guests do not necessarily reflect the official policies or positions of the Columbia Global Paris Center or its affiliates. Information Source: Columbia Global Paris Center | eventbrite