After exiting the Lianhuo Expressway, we took Yingbin Avenue and followed the navigation to the vicinity of the Miaodigou Museum. Due to road construction, the museum entrance was difficult to find; we circled around twice before finally locating it. There is a dedicated parking lot.
From the outside, the museum consists of three interconnected buildings. We walked along a passageway to the sunken entrance. Admission to the museum is free (as usual, it is closed on Mondays). Upon entering, we were immediately drawn to the high, white, petal-shaped dome. Sculptures adorned the front and sides of the main hall. Having researched beforehand, we headed straight to the "Flowers Bloom in China" and "Memories of Miaodigou" exhibition halls to learn about the Miaodigou culture from over 6,000 years ago. The excavation of the Miaodigou site is one of the major discoveries of 20th-century China, a significant representative of the Yangshao culture, and proof of humanity's journey towards civilization and the conscious creation of artistic beauty. The exhibition halls displayed thousands of painted pottery artifacts, none of which were duplicates. Some were restored, while fragments of the original painted pottery were embedded in various jars, bowls, plates, basins, and pots. Some were simply irreparable fragments displayed in showcases. One exhibit, a painted pottery piece resembling a hot pot, tells us that the people of Miaodigou already knew how to cook and enjoy life. The cowrie shells indicate that they had currency to buy things. The Jiahu bone flute, with its seven notes, testifies that Chinese music predates that of other countries.
The exhibition also features a model of the semi-subterranean dwellings of the Miaodigou people, which visitors enthusiastically photograph.
Although the exhibition hall is small, it is well worth a visit.