Wang's small garden is arranged in groups, scattered and well-structured. Xiaoyuan is divided into three roads and is parallel, respectively, three large courtyards. The courtyards are separated by narrow lanes. Not too far away, there are small doors that interoperate. The doors are opened as a family, and the closed is independent. The vertical and horizontal are connected and open and close. The benefits of the interlocking road are fire prevention and quietness if necessary. Each courtyard is extended into three inwards, plus the compartments on both sides of each main house, and becomes a separate small courtyard. The front and back doors connect each into the courtyard in series, no need to count, although the house is as many as 100, but it will not be maze-like terrain complex. Interestingly, the main house is all central axis through, left and right symmetrical, presumably affected by the middle of Huizhou Confucianism. In between, there is a side corridor next to the hall, and there is an ear room behind the hall. All houses are odd combinations, reflecting the orderly dignity and orderliness, men and women have other feudal ethical ideas and mysterious feng shui consciousness, which can be a model for the integration of Huishang ideas and Yangzhou culture. The sparse and Lang Lang house is potted plants, peony, sky, sweet-scented osmanthus, pine bamboo plums, most of them quietly stand, suddenly return to the old house in the countryside of Huizhou, away from the water and moon in Yangzhou, and more heavy and simple.