Fufengxian Travel Recommendations for 2024 (Updated in May)

Famen Temple

Famen Temple, a Chinese monastery rich in legendary color, has long been a famous Buddhist holy site in China, known as the 'Ancestor of Pagoda Temples in Guanzhong'. For two thousand years, due to the Buddha's bone relics it enshrines and its unique geographical location, it has established an important position in the Chinese Buddhist community. Passing through the mountain gate, I felt as if I had stepped into another world—warm sunlight reflecting off the yellow walls, the sound of chanting around me, the simple architecture and the solemn atmosphere involuntarily make one lay down the busy thoughts of the mundane world, to appreciate the sublimation of the spirit and the purification of the heart

Roaming in the snow at Famen Temple

Famen Temple, located in Famen Town, north of Fufeng County, Baoji City, is said to have been established during the Hengling period of the Eastern Han Dynasty. It was most prosperous in the Tang Dynasty. Because the Li Tang Dynasty placed the true finger bone relics of Sakyamuni, it became one of the four famous temples, known as the 'ancestor of Guanzhong Tower Temple', and is an ancient site from the Northern and Southern Dynasties to the Qing Dynasty. Now, entering from the south gate, the Bronze Buddha Hall, the Great Buddha Hall, etc., still follow the architectural layout of the Tang Dynasty tower courtyard. The brick tower is octagonal, with a total of 13 levels, which is a later renovation. In the newly opened Famen Temple Cultural Scenic Area, the diamond-shaped tower, when we went, the sky was even darker, with light rain mixed with light snow, so we could only take a blurry photo, which is a bit regrettable.

Famen Temple in Baoji, recommended tour route

Famen Temple in Baoji has two entrances, one is the old entrance at the east gate, and the other is the new entrance at the south gate (new square entrance). It is recommended to enter from the old entrance, because the essence of the scenic spots are near the old gate, including the old Famen Temple, the underground palace, and the museum of unearthed cultural relics are all close to the old gate. After visiting the old temple, the underground palace and the museum, you can reach the newly built Heshi Stupa in about ten minutes by foot, where the Buddha's relics are enshrined and can be viewed from a distance. If you want to take a walk in the newly built Famen Square, you can enter from the new gate, but all the way are newly built Buddha statues, and the journey is very long, walking for more than half an hour, the tour value is not high.

Famen Temple, also known as Fayun Temple, is located in Famen Town, Fufeng County, Baoji City, Shaanxi Province, and is known as the 'ancestor of Guanzhong pagoda temples'

It is said that Famen Temple was first built in the Eastern Han Dynasty during the reign of Emperor Ming. Famen Temple, also known as Fayun Temple, is located in Famen Town, Fufeng County, Baoji City, Shaanxi Province, and is known as the 'ancestor of Guanzhong pagoda temples'. It is said that Famen Temple was first built in the 11th year of Emperor Ming of the Eastern Han Dynasty (68 AD). Before the Zhou and Wei Dynasties, it was also called 'Ashoka Temple'. It was renamed 'Chengshi Taoist Temple' during the Sui Dynasty and 'Famen Temple' at the beginning of the Tang Dynasty. It was hailed as a 'royal temple' and became a Buddhist holy land that the whole country looked up to because it housed the finger bone relics of Sakyamuni Buddha. Famen Temple was built because of the relics and the pagoda, and the temple was built because of the pagoda. It was originally called Ashoka Temple. After the nirvana of Sakyamuni Buddha, his body was cremated into relics. The Famen Temple of the Song Dynasty inherited the grandeur of the royal temples of the Tang Dynasty and was restored to its maximum scale.

Baoji, the Hometown of Bronzeware: Visit the China Bronzeware Museum

Baoji, formerly known as Chencang, is located at the western end of the Guanzhong Plain, at the head of the Qinchuan area, and is strategically situated at the gateway to the Qinling Mountains, surrounded by a thousand rivers and embracing the Wei River. Three thousand years ago, the Zhou people came to this land, where billowing purple smoke rose, and streams of copper-tin alloy poured forth, casting a large number of bronzes. Since the Han Dynasty, bronzes have been unearthed continuously, with a quantity and quality of fine pieces that are unparalleled in the country, and with inscriptions of significant content, earning it the reputation of 'Hometown of Bronzeware.' Chencang also became a major channel for cultural exchange and integration in ancient times. The Shigu Mountain in Baoji once unearthed the Han script carrier: 'Stone Drums,' and the 'Stone Drum Script' engraved on them represents an important stage in the recording of history by Chinese characters, just as the inscriptions on bronzes: 'Bronze Inscriptions' do. To protect and inherit this historical stage of cultural resources, the Baoji Municipal Party Committee and Government built the 'China Stone Drum Park' on Shigu Mountain. In 2009, the Stone Drum Pavilion on the mountain top was completed and opened; in 2010, the original cultural relics office's bronzeware exhibition room was expanded on the hillside to become China's largest: China Bronzeware Museum, which was completed and opened (now a national first-class museum). The exhibits in the museum showcase the wisdom and talent of the ancients, and their exquisite craftsmanship is breathtaking. The China Stone Drum Park on Shigu Mountain consists of two attractions: the Stone Drum Pavilion and the Bronzeware Museum, which together highlight Baoji's long-standing historical and cultural status in ancient Chinese civilization. They also perfectly combine Stone Drum culture with Bronzeware culture. Walking between the exhibition rooms, it feels like a world full of mysterious legends, where each exhibit exudes a fascinating historical charm, a palace that witnesses history. Upon leaving the museum, walking down the spacious stone steps out of the main gate, you will find Baoji's ancient: Chencang Old Street. On New Year's Day, the street is bustling with visitors, lively and festive, with lanterns and streamers, a scene of holiday joy.

Xi'an Surrounding Tour | Baoji Bronze Ware Museum, it's so worth a visit!

👍Most recommended: Baoji is known as the hometown of bronze ware, and Baoji Bronze Ware Museum is also called "China Bronze Ware Museum". A "national" museum in a fourth-tier city is definitely worth a visit👍👍👍 ❤Reason for recommendation: The exhibition hall is built on the mountain in Shigushan, which is also the place where the national treasure Qin Shigu was unearthed, and it is very imposing. The exhibits inside are mainly bronze wares, most of which are found in cellars. The Yangjiacun cellar and Zhuangbaicun cellar support most of the museum, so the preservation condition is very good. The collection covers various periods from Xia, Shang and Zhou to Qin and Han, with a total of tens of thousands of pieces. There are seven exhibition halls in total, and the essence of the collection is in the first and second exhibition halls. 🌟Treasure of the museum! He Zun: China's first batch of cultural relics prohibited from going abroad for exhibition, national first-class cultural relics, and also the most worth seeing national treasure here. The inscription on He Zun has 12 lines and 122 characters, among which "Zhai Zi China, He Yi Wei Zun" is the earliest written record of the word "China". Wang Pan: The bronze ware of the Western Zhou Dynasty unearthed after the founding of New China has the most inscriptions, and it is the first plate in China, which is prohibited from going abroad for exhibition. The inscription mentions 12 Zhou kings, outlines the general outline of the history of the Western Zhou Dynasty, confirms the records of the Historical Records, and has significant academic significance. Guan Gui: The largest bronze gui in the Shang and Zhou Dynasties, known as the "King of Gui", is a national cultural relic prohibited from going abroad for exhibition, and it is an item from the period of King Zhou Li. Wang He: A bronze ware from the middle of the Western Zhou Dynasty, an ancient wine or water container, a national first-class cultural relic. A utensil that combines dragon, phoenix and tiger. Dan Wufu Pot: A wine container, a very exquisite pot, you can also see the original golden color of bronze. Qin Gong Bell: A bronze musical instrument from the Spring and Autumn Period, with the inscription "Qin Gong made and used the bell", it is an important relic before Qin Shihuang unified the six countries. ▶️There are also Wang Ding in the 42nd year of the Western Zhou Dynasty, a standard instrument in the time of King Xuan of the Western Zhou Dynasty, the inscription is a complete book of titles in the Western Zhou Dynasty; the gatekeeper Ding of the amputated man, an important evidence of punishment in the Western Zhou Dynasty; Jing Ji's single-pillar pan Ding in the Western Zhou Dynasty, similar to today's small hot pot, the only one in the Western Zhou Dynasty bronze ware; Bo Ge You, the highest level of bronze casting in the early Western Zhou Dynasty...... 💗Come to Baoji Bronze Ware Museum to explore the history of thousands of years and feel the charm of bronze civilization! Remember to make an appointment in advance!

Baoji!!!

Baoji is a historic city in Shaanxi Province, China, with many rich cultural heritage and natural landscapes. Here is a description of the experience of playing in Baoji: I came to Baoji, this historical and cultural city, and first went to the Mausoleum of the First Qin Emperor Museum, known as the "crown of Eastern sculpture art display". In the museum, I saw a large number of precious Qin Dynasty cultural relics and tomb excavated cultural relics, the most impressive of which was the Terracotta Warriors and Horses of the First Emperor of Qin. These lifelike pottery figurines are masterpieces of ancient Chinese pottery figurine art, which made me deeply feel the brilliance of ancient civilization. Then, I went to another famous scenic spot in Baoji - Famen Temple. Famen Temple is one of the founding places of one of the six sects of Chinese Buddhism, Zen. The Daxiong Hall in the temple preserves a large number of ancient Buddhist cultural relics and artworks. The most famous are the hanging bells and drums and Ming Dynasty murals, which are breathtaking. The quiet atmosphere in the temple made me feel the profound connotation of Zen, which makes people feel peaceful. In Baoji, I also visited the Bronze Museum, which collects a large number of ancient bronzes, showing the brilliant brilliance of ancient Chinese bronze civilization. In the museum, I saw bronzes of various shapes and exquisite craftsmanship, as well as important witnesses to ancient social politics, economy, religion, etc., and deeply felt the glory of ancient Chinese civilization. In addition to historical and cultural sites, Baoji also has many natural landscapes worth visiting. I went to Zhongnan Mountain, which started in the Han Dynasty. This is one of the famous mountains of Chinese Taoist culture. There are quiet ancient roads and winding mountain streams on the mountain, as well as many ancient Taoist temples and temples, which are refreshing. Climbing to the top of the mountain and overlooking the beautiful scenery of the entire Baoji city, I felt the greatness and magnificence of nature. In the experience of playing in Baoji, I deeply felt the brilliance of ancient civilization and the tranquility of nature. This city has a rich historical and cultural heritage and natural landscapes, giving people a deep inner experience. Whether it is visiting museums, touring ancient sites, or climbing mountains and wandering in nature, you can feel the unique charm and power of Baoji.

To understand Baoji, the place to visit is the Baoji Bronze Museum, which has now been renamed the China Bronze Museum. It is the largest bronze museum in the country and the only museum in the country named after bronze. Because Baoji is the birthplace of Zhou and Qin, and that time is the heyday of bronze, Baoji is also known as the "hometown of bronzes." However, the earliest Western Zhou bronze wares discovered so far were unearthed in Linyi, Shaanxi Province in March 1976, with as many as 60 pieces. Among them, the inscriptions of Li Yu recorded the ruling of Wu Wang. In fact, the number of bronzes in the Western Zhou Dynasty far exceeds that of the Shang Dynasty. The Western Zhou bronze rituals, utensils, weapons, tools, and ornaments have been unearthed in thousands of years. He Zun was unearthed in Jiacun Town, Baoji City in 1963. It was also the first bronze ware collected after the establishment of Baoji City Museum in 1958. It was also the first batch of cultural relics forbidden in China. The inscription of the inscription on the inner bottom of the 12th line of 122 words records the instructions of Cheng Wang in his newly established Dongdu Luojing to his subordinate "Zong Xiaozi" in his five years of pro-government. This inscription records the important historical events of Zhou Chengwang's construction of Luojing and the construction of the capital. The word "China" was used as a phrase for the first time in the inscription of He Zun.

Famen Temple (51): Han Yu's Memorial on Advising Against the Welcoming of Buddha's Relics

Emperor Xianzong of Tang, Li Chun, reigned from 806 to 820 AD. Xianzong reduced redundant staff, established rituals, reopened the military examinations, exploited the contradictions between the regional military governors to successively pacify them, and developed production and rectified the malpractices of the times, leading to a temporary revival of the Tang Dynasty. He also hoped to use Buddhism to consolidate his rule, and was a great patron of Buddhism. In the twelfth month of the thirteenth year of the Yuanhe era, Xianzong issued an edict to dispatch envoys to lead monks to Famen Temple to welcome and venerate the Buddha's relics. In the spring of the fourteenth year (819 AD), the Buddha's relics arrived in the capital. After staying in the forbidden area for three days, they were sent to various temples in Chang'an for veneration. This event is detailed in historical texts such as 'Old Book of Tang: Annals of Emperor Xianzong' and 'Comprehensive Mirror in Aid of Governance'. This welcoming of the Buddha's relics differed from previous occasions in several ways: Firstly, Xianzong, wishing for the Buddha's blessings on the revival of the empire and for his own ill health, was very devout during the welcoming ceremony, personally 'holding the Buddha's lamp'. Secondly, the 'Old Book of Tang' refers to the pagoda at Famen Temple as the 'Protector of the Nation' true body treasure pagoda. This change in terminology was not an addition by historians, but originated from the royal family's appellation, indicating that in the emperor's mind, the Buddha's finger relic at Famen Temple was equivalent to a national treasure, and promoting Buddhism was akin to 'protecting the nation'. Thirdly, the most famous incident during this period was the historical event of 'Han Yu's Memorial Advising Against the Buddha' (Figure 1). Han Yu (768-824 AD), the leader of the eight great masters of the Tang and Song dynasties, was a famous literary figure, thinker, philosopher, and was known as 'Han Changli' and 'Master Changli'. During the reigns of Emperor Dezong to Emperor Xianzong, he held positions such as imperial censor, national academy scholar, secretary in the imperial secretariat, and deputy minister of justice. Seeing the frenzy of Buddhism in Chang'an, where 'nobles and commoners rushed to make offerings, fearing to be the last, and the common people abandoned their work and went bankrupt, burning the tops of their heads and arms in offering', he was deeply concerned and, regardless of personal danger, resolutely presented a memorial advising against it. After reading the memorial, Xianzong was furious and wanted to execute Han Yu with the most severe punishment. Pei Du, Cui Qun, and others strongly advised against it, but Xianzong remained angry. People were shocked and lamented, and even the royal relatives thought the punishment for Han Yu was too severe and pleaded on his behalf. Xianzong then demoted him to be the governor of Chaozhou. (See also part 39 of this series) On his way to exile, Han Yu reached Lantian Pass, 50 kilometers southeast of Chang'an, and facing his nephew who had come to see him off, he wrote the timeless masterpiece 'Left Transfer to Lantian Pass to Show to Nephew Sun Xiang': 'A single morning's report reaches the ninth heaven, by evening demoted to Chaozhou, eight thousand li away. Wishing to rid the holy dynasty of its ills, willing to spend my declining years in care. Where is my home across the Qin mountains shrouded in clouds? Snow blocks Lantian Pass, the horse cannot advance. Knowing you have come from afar must have a purpose, take care to gather my bones by the miasmic river's edge.' 'Han Yu's Memorial Advising Against the Buddha' and his experience highlight the intensified conflict between Buddhism and Confucianism, with the emperor clearly taking a stand, not only as a believer but also as a 'protector of the Dharma'. After Xianzong, the reigns of Emperors Muzong, Jingzong, and Wenzong continued to honor Buddhism, without changing the established policy. —Compiled from Han Jinkes 'Famen Temple Underground Palace' and other related materials