Bank Gallery (xuhuixinzhi)

Every time I come to Bank Gallery, I can show it again and again. [Exhibition content] The exhibition "Line of Life: Wanman and Song Huaigui's 70s works" presents some fiber columns and installations and paintings of Wanman, a leading figure in the European fiber art movement, and also presents a group of butterfly shapes inspired by the famous Zhou Gongmeng butterfly allusion Soft sculpture works, this is the same period Wanman and Song Huaigui cooperation works both dreamy and strong Yin and soft temperament. I also like the Russian artist Anastasia Komar solo exhibition "ex-vivo" she borrowed the detailed paintings and interspersed with biological sculptures, continuing her long exploration of mythology and science. Some of these sculpture components embrace the picture, Some are opposed to it, suggesting the parasitic or symbiotic relationship under the whole ecology, and jointly forming a biological system of self. Komar's comprehensive paintings explore the "principles of life". Showcases the extraordinary artistic collaboration between Wanman and Song Huaigui. The first thing to see is a group of butterfly-shaped soft sculptures, which are a collaboration between Wanman and Song Huaigui during the same period, which turns into a clear “yin” energy to complement the column. The exhibition center is Wanman's fiber columns and installations, which are made using traditional Bulgarian technology to make hairs with beech and cold water centrifugal mechanism, which relaxes the state like the canopy in a surreal forest. "ex vivo" Experiments in or on organisms in an external environment with minimal changes in natural conditions. Anastasia Komar's work often explores the concept of spatial tension with empty compositions, drawing on detailed paintings and interspersing them Biological sculpture modeling, it has continued its exploration of myth and science.

Every time I pass by the BANK Gallery, I will always go downstairs to stroll around. Although it is a basement, there is no net red photo that can make people feel at ease and really enjoy the exhibition. [Exhibition content] Artist Wang Liangjie's Shanghai first exhibition "Solo Fun", through smooth composition and surreal characteristics, the artist blends the external world with the internal world to create a series of dream paintings. It is his continuing exploration of the physicality of self-body, and the arrival of introspection, longing and loneliness. Continuous portraits, all gathered in isolation and separated by their respective canvas frames, reminiscent of a virtual gathering, transforming the gallery floor into a stage, making visitors both spectators and peepers. Throughout his paintings, the characters are presented as a place of deformation, twisting and colliding, highlighting the relationship between the mind and body. At the same time, the recurring themes of food and telephone play a role in the physical projection of the characters' multiple internal lives. Enjoy eating, contemplating, sleeping and enjoying yourself alone.

Bank Gallery exhibitions often have unexpected wonderful, missed the green green field flash show, this long exhibition "Take off at dusk" Sun Yixuan solo exhibition finally did not miss, it looks really good. [Exhibition content] Sun Yixuan's solo exhibition is on the one hand the image of the owl, on the other hand the Minerva, which symbolizes the goddess of wisdom, or the relationships with art, trade and war. Inspired by Hegel’s beautiful metaphor of philosophy, this highly anticipated exhibition at BANK. Created a reverie of seemingly fantasy adventures (inflatable dolls, mysterious beaches, flash jewelry, etc.) and also tried to suggest what is symbolic of these contemporary rich material cultures? Will the flashes and dust of these glossy surfaces expose the reflections of self-consciousness? [After viewing] I never expected cheap inflatable plastic toys to fill the artistic tension through the artist's canvas, she penetrates the human heart and highly rigorous painting skills combined with the basement's dark and bright environment to make the visual more impactful. Some say Sun’s paintings are a response to his surroundings: they were created in a numb society of intoxicated appearances, of indulging in smoothness a society that fears any darkness beneath the appearance. But it is precisely this contradiction between fear and smooth gravity that is interesting, and at dusk, when the owl takes off, there is always light and light on the dark side.

I remember going to the BANK Gallery to see Chen Zhe's solo exhibition "What You Still Know". I entered the basement with dim lights and a very mysterious look. I looked at the exhibits and felt full of rituals. I didn't understand it after a walk. [Exhibition] There are two maps that accompany you, one hidden in the sky, connected by ancient stars. The other is engraved on top of your head, woven from blood and bone. These two maps are either too far away or too close to you. You can't see either of them or can't tell. But you still know them. Like the knowledge of the body under the skin, like the knowledge of the ancestors who never met, like the knowledge of a man in a dream. When a voice in the dream asked, "I am a pearl, I come from a parrot. Where are you from?" You think of yourself many years ago as a baby, so tell it: "I am from a coma." The first wall of the exhibition hall presents three large photography works in a fleshy state. The title “I You We” has triggered associations about “naked” and “contact”. A mysterious picture of the sun and moon as a transition, in a group of three works called “gifts”, the arm holding Guyan more clearly shows the gesture of communication with the outside world. The next scene enters a "old dream" device arranged with ancient stone components, which reveal the history of the past used by humans, or far or near, is a distant unknown beyond human perception and imagination. At the end, two marble-cut chairs invited the audience to sit, face off and talk with the skull on the opposite chair. To be honest, I went around the whole exhibition and I still don't know what it means, so I still don't know!

The BANK Gallery, located in the inconspicuous neighborhood of Anfu Road, is not known, but is a paradise for niche art lovers. The first time I went to the exhibition, I went into the basement and found that in addition to the paintings, the gallery did not have too much decoration, mottled walls, and the tiles of different colors on the ground, all expressing the special nature of this gallery to us. [Exhibition content] Explores the age puzzle of "virtual power" in an increasingly alienated world. In Geng Yu's latest series of paintings, she explores the animal world as a metaphor for power politics and the sacred nature of nature. Here she gives many mammalian humanity, and she brings humans back to the original animal self, rather than forcing them into human underarms. [Viewing afterthought] In Geng Yu's work, there are many different kinds of forces coexisting. Ducks, elk, they look particularly dull, funny, dull, and this blunt force is also a force. Some of the most feared forces are wit, cunning, traps, plots, they are more powerful, so the picture also shows foxes chasing rabbits, nets and yellow scorpions chasing each other. A bearded, menacing man who plays a bullying father figure or creepy sexual perversion symbolizes the virtual power of manstrong arms and a swollen chest, but ultimately fragile, Unable to withstand the real pressure from nature, Geng Xu's work is presciently simplifying this difficult era.