Latest Events in Greece(June Updated)

The Epidaurus Festival in Athens is Greece's premier cultural institution and one of Europe's oldest and most continuously held arts festivals. For 70 years, the festival has collaborated with numerous renowned Greek and international institutions, bringing together the world's finest musicians, dancers, and theatre artists, attracting a large audience from around the globe. Until 2005, the festival was held exclusively at the Herod Atticus Theatre and the Ancient Theatre of Epidaurus. In the summer of 2006, five brand-new theatre stages were opened in the Piraeus 260 Industrial Park, which has since developed into a vital springboard for contemporary art. During the festival, artworks and site-specific performances are also staged in other venues and locations throughout the Attica region.

Until November 2024, the National Museum of Contemporary Art (EMΣT) presents a cycle of exhibitions, in four parts, exclusively dedicated to the work of women artists or artists who identify as female, under the broader umbrella title, What if Women Ruled the World? On 8 March 2024, International Women's Day, Part II of the exhibition cycle opened with six new projects by five international artists: Yael Bartana Claudia Comte Hadassah Emmerich Lola Flash Malvina Panagiotidi ___________________________________ Hadassah Emmerich | Epicurean Eden WHAT IF WOMEN RULED THE WORLD? Part || The mural will debut as part of the ‘What If Women Ruled the World' Part II exhibition cycle, but will remain on display at the museum for a couple of years. Furthermore, the project is slated for completion in June, ideally aligning with the inauguration of ‘What If Women Ruled the World' Part IV. Notably, the installation will include then specially crafted art rugs developed in collaboration with Art Rug Projects Athens. Hadassah Emmerich has become known for her exuberant paintings, collages and murals that intricately weave stylised representations of exotic fruit, body parts and vegetal elements into bold eroticised ornaments. Her work reflects an immersive and visceral exploration of the body and identity, navigating the realms of the sensory and the sensual while delving into the commodification of desire, the erotic and the exotic. The sensuality of her painting resides not only on the surface of the image, but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that examine the aestheticisation of the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. For the first presentation of her work in Greece, Emmerich has created a new large-scale, site-specific expansive wall painting which covers part of the museum's ground floor foyer and mezzanine, taking over its entire education space. Consisting of several murals, a large frieze on the balcony of the mezzanine that connects to the ground floor and mezzanine, and several murals on the latter, including two monumental columns and sitting areas, the result is an immersive and colourful Gesamtkunstwerk. About Hadassah Emmerich *Heerlen (NL), 1974 Lives and works in Brussels Hadassah Emmerich studied at the Academy of Fine Arts in Maastricht, HISK Flanders and Goldsmiths College, London. Recent exhibitions include: Skin of the Shapeshifter, SUPRAINFINIT, Bucharest (2023); Botanical Body Bliss, Galerie Ron Mandos Amsterdam (2023); False Flat, Bonnefanten Museum, Maastricht (2022); Abrasive Paradise, Kunsthal KAdE, Amersfoort, NL (2022); Trailblazers, 150 years Royal Award for Painting, Royal Palace, Amsterdam (2021); BXL Universel II: multipli.city, CENTRALE for Contemporary Art, Brussels (2021), BuahTangan, ISA Art Gallery, Jakarta (2020); The Great Ephemeral Skin, De Garage, Mechelen (2019). Her work is held in numerous public collections including the Rijksmuseum, Amsterdam, the Bonnefanten Museum, Maastricht, MuZee, Oostende, The Flemish Parliament and the Federal Government Collections, Brussels, Gemeentemuseum and the Ministry of Foreign Affairs, The Hague and the Museum for Modern Art, Arnhem, NL. Hadassah Emmerich's art is a multifaceted exploration that transcends conventional boundaries, inviting viewers into a world where sensuality, feminism, and identity intersect. With a commitment to pushing the limits of her creative process and addressing urgent themes with depth and self-awareness, Emmerich stands as a visionary artist shaping the contemporary art landscape. Body and identity, the sensory and the sensual, the commodification of the erotic and the exotic: these are frequently recurring themes in Hadassah Emmerich's work. The sensuality of her painting resides not only on the surface of the (erotic) image but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that both aestheticise and problematize the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. In this way, Emmerich succeeds in making the act of looking truly provocative. - Nina Folkersma About EMΣT | The National Museum of Contemporary Art Athens EMΣT | The National Museum of Contemporary Art Athens is the leading national institution for contemporary art and visual culture in Greece, and one of the flagship institutions in Southern Europe and the Eastern Mediterranean. It began its operation in 2000. In the first years of its existence, it was a nomadic institution, hosted by institutions such as the Athens Concert Hall and the Athens Conservatoire, as its new home – the former Athenian landmark, the industrial modernist FIX brewery – was being retrofitted as a state-of-the art contemporary art museum. In 2015 it moved into its new premises while in 2020, a part of its collection was installed and EMΣT finally opened to the public. SUPPORTED BY The exhibition Hadassah Emmerich forms part of the Residency Program of the Project SUB 6.4, “Actions to promote Greek cultural exports and strengthen the Greek cultural name by the National Museum of Contemporary Art Athens”, which is implemented within the framework of the National Recovery and Resilience Plan “Greece 2.0”, funded by the European Union – NextGenerationEU. Hadassah Emmerich's project is supported by the Mondriaan Fund.

"Greece conquered its conquerors." This famous quote from the poet Horace aptly describes the fascination ancient Greek civilization had with the Romans. Art, literature, philosophy, and education inspired Roman society and exerted a profound influence, ultimately giving birth to Greco-Roman civilization, which forms the foundation for the global development of Western civilization. This influence catalyzed the early interactions between the Greeks and the people of the Italian peninsula, the Etruscans, and the Latins, and also affected the people of Sicily and southern Italy, where important Greek settlements and colonies were established. This exhibition primarily focuses on art, and the influence of ancient Greek art on Roman culture up to the 20th century. The exhibition is divided into seven sections, showcasing 38 masterpieces of ceramics, bronze, and marble—all unique works that have never been exported from Italian museums: Section 1 – Before Rome: Greek Merchants and Etruscan-Italian Nobles; Section 2 – Artists of Magna Greece; Section 3 – The Sea as an Archive; Section 4 – Roman Greece. Unit 5 - Greek LifestylePart 6 - Antiques Collected by Modern AristocratsSection 7 - Italian Perspective: Canova, Savinho, De ChiricoA unique exhibition of inspiration, gifts, and collaboration between Italy and Greece.

The Cretan Food Festival aims to promote local culinary culture and support regional producers. The event highlights Cretan products and encourages trade among local farmers and artisans. Each year, the Resimon Municipal Gardens hosts a week-long food culture event. Visitors can explore Cretan cuisine through direct interaction with winemakers, cheesemakers, and smallholders. During the festival, visitors can sample food, visit exhibitions, and enjoy traditional music and dance performances.

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